Freddie Mercury: Queen star's lover Mary Austin on TRUTH about Bohemian Rhapsody

March 27, 2020
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Freddie Mercury may have been a larger-than-life figure on stage, going down in history as one of the greatest performers of all time, but away from the spotlight it was a different story. The Queen star’s friends remember him as a shy and modest person, worlds away from his public persona. In a newly unearthed interview, his former girlfriend Mary Austin revealed how Bohemian Rhapsody had changed something in Mercury.

Speaking out on the true Mercury, Austin told the Daily Mail the frontman was a complicated mixture of self-doubt and self-confidence.

It was his mini opera Bohemian Rhapsody, one of his greatest hits, which provided the key to unlocking his potential, however.

In 1975, Queen released the bombastic, six-minute epic that was to go on to become one of their career-defining songs.

Penned by Mercury, Bohemian Rhapsody, which gave its name to the 2018 biopic about his life, featured a introduction, ballad segment, operatic movement and a rock-heavy interlude, concluding with a coda.

READ MORE: FREDDIE MERCURY’S TEAR-JERKING ELVIS PRESLEY ‘COINCIDENCE’

“I think Bohemian Rhapsody was the turning point,” Austin told the publication.

Revealing the truth about the iconic song, she added: “That made him realise that he didn’t need to doubt himself.

“Even though he was told the radio stations wouldn’t play it because it was too long, there was no way Freddie was going to cut it.”

Mercury’s instincts about the track proved to be shrewd as it topped the UK singles chart upon its release and, when it was re-released in 1991 after his death, became the UK’s third-best-selling single of all time.

“In private, he was a lovely person,” he continued. “Great style, I mean, he had a Picasso in his bathroom! It was amazing.

“He had great, great style and he cared about people,” Clark added.

“You see his videos and you think he’s just totally off the wall but he’s not. He’s a person.”

Elsewhere, Clark has described Mercury as “the real opposite” of the provoking personality he was on stage.



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